Fringe - Day 10

George Dillon commands centre stage




With only one show on my schedule for Saturday, I managed to take a bit of rest. But what a show!

I’ve started to think of George Dillon as kind of a theatrical surgeon. His acting is that precise. Every move, every gesture, every modulation of his voice is carefully chosen and exactly executed. And while you may think that calculation of this degree could make a show somehow soulless, the opposite is true. Case in point is Dillon’s Dostoevsky’s Heaven and Berkoff’s Hell. In Hell, Dillon (and Berkoff) create a very moving portrait of depression. The soundscape that accompanies Harry as he recounts his sad and tawdry life is perfect, galloping forward as he simulates energy, then slowing and pulling him back into his dark hole. In Dostoevsky’s Heaven, we meet a man preaches the golden rule with truly jaw-dropping zeal. Two powerful performances by a brilliant actor!

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